Victor Master Numbering Systems

Victor Master Numbering Systems

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The Arhoolie Foundation Archive contains many vintage record company catalogs and publications of regional and ethnic music. Not only do these catalogs list recordings, but some have information and photos of musicians and lyrics to songs. Below is a selection from these relics of a bygone era. Click on image to open and view contents not all publications have their contents scanned updated with additional catalogs

Voice activated record allows recorder to sense the sound and start recording Easily identify date and time a recording was made; Editing functions, built-in.

Please email if you have questions, corrections or comments on anything you see. Victor was the dominant figure in the record and phonograph market in the early s. There is much published about them so I will not attempt to tell the story here. Victor was started by Eldridge R. Johnson, a machinist from Camden, NJ. His first records came out in The first two labels are considered “Pre-Dog” labels, as they lack the famous Nipper logo yet to be used. The first example is the first type where the word Victor was used on the label and is a 7″ example.

Operating the RCA VR5235 voice recorder

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Surely RCA felt that something had to be done on the 10th This two-record set includes Presley’s first major recording date for Sun Records.

The Postal Service requires that appointing officials obtain state driving abstracts for all applicants considered for positions that require the operation of any motor vehicle as an official duty. Request driving records from all states in which the applicant has resided in the past 5 years. If an applicant has been driving less than 5 years, or has been a resident of the United States for less than 5 years, the only abstracts required are those that document the driving record to date or document the driving record in the United States.

Any person applying for a job as a commercial vehicle driver must inform the Postal Service of all previous employment as the driver of a commercial vehicle for the past 10 years. The local human resources office keeps the original Form , and a copy is given to the driver. Note: Personnel who operate rider—operated powered industrial equipment off—street are not required to be screened for safe driving.

Form , Driving Record — For Positions That Require Driving, requires the applicant to list the states where he or she was issued a driving permit within the past 5 years. If Form lists any information that is disqualifying see

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Moran, in the early s. Fagan, a United Nations interpreter, and Mr. Moran, a geologist for the oil industry, both collected recordings primarily classical music and shared their dismay over the lack of information available about Victor Red Seal records.

Historic RCA Studio B to Close Temporarily to the Public background vocals and strings that helped establish Nashville as an international recording center.

In the years immediately following the end of World War II, as the two major American record companies geared up for “The War of the Speeds,” 1 Columbia was working full-steam ahead on the development of the long-playing record; RCA Victor, meanwhile, put its efforts and resources into building a better Unlike Columbia’s postwar 78s, which tended to be fairly noisy, RCA pressings improved markedly as wartime shortages of raw materials eased; the change of formulation coincided with the change of the company name on the label from “Victor” to “RCA Victor.

An intriguing chapter in this story involves a series of 78s RCA pressed beginning late in on translucent red vinyl–the same material the company used a few years later for its rpm records; of course, virtually every manufacturer, beginning in with Columbia, used vinyl for LP records as well. The albums were also distinctive, showing the bold autograph of the artist on the cover Fig.

Vinyl–more properly Vinylite–is a trademarked copolymer of vinyl chloride and vinyl acetate developed by Union Carbide in These “Program Transcription” discs were a commercial failure, probably the result of a combination of economic and practical factors: during the Great Depression few collectors could afford the expensive new playback equipment they required, and the pickups of the day were too heavy, wearing out the records quickly; moreover, the sound of the new records was disappointing.

Vinyl was also used during the War for V-Discs, which had to survive the rigors of overseas shipment, and thereafter for recordings mailed to radio stations; RCA issued black vinyl pressings of its regular classical 78s for this purpose bearing the notation “Special Purpose Record” on the label. These, however, were not made available to regular collectors, and will not be treated here. In addition, the authors have obtained a red vinyl pressing of a regular-series Victor 78 set, the Brahms Second Piano Concerto with Vladimir Horowitz, Arturo Toscanini, and the NBC Symphony DM , that bears the album and disc numbers and the label of the standard shellac issue; we surmise that Victor must occasionally have pressed limited runs of some popular titles this way.

One final category of vinyl 78s that should be mentioned is RCA’s “Heritage” series of pressings of historical vocal recordings. An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.

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(c) RCA shall continue to advance the Artist advances and recording funds with respect to records to be recorded by the Artist after the Termination Date.

The original Victor identification system was begun with No. At that time, a new block of numbers was established, beginning with 00 and reaching by February and in August Effective August 15, , a new and much more complex matrix numbering system was introduced revised December 10, Starting in the s, the initial letter or letters began to be used for further information in addition to the record size. If a selection originally made with piano accompaniment was re-made with orchestra, it was assigned a new matrix number and began again with take 1.

Thus, C was a recording made by Schumann-Heink on January 3, ; C was a re-make of the same selection on October 18, ; and CVE and -4 were electrical re-makes recorded June 26, , all with orchestra. Parts for all these different versions, even including some unpublished takes, might well be found together in the vault. Actual copies of published recordings said in the card files to have been destroyed are often found in collections and archives, and parts for them sometimes exist in SonyBMG archives.

The first take usually was not marked, but subsequent takes from number 2 onwards were numbered and until about mid-June could be seen hand-written in the center above the center hole, with the take to the left of the center and a brief title and notation of the artist below the center. All this information was placed so that it was covered by the label cutout and thus not visible on the finished pressing, but it is visible, of course, on the metal parts.

I have never seen this mark mentioned in Victor literature, and it is not mentioned in any of the existing files found in New York.

Radio Corporation of America, RCA Victor Division records

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Note on both records the “lease agreement” on top half of the label. The last five labels have a patent date of May and just say “Victor Talking Next example is from the following year showing “RCA Victor Company.

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If the Domain Support – Domain Extensions Installer plugin is activated, then alerts are processed according to the domain of the associated business service. Before you begin. Table 1.

RCA Victor’s 1949 Preview of the World’s First 45 rpm Records!


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